The Dead Will Rise

This week the goons from Bloodfest got together with the amazing Helen Broom from The List of Lists and Talk of the Street to talk about George A. Romero's classic Dawn of the Dead. Along the way many weird tangents were explored. Check it out!

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The Blackening

This Movie List was Acting Strange, When the Movie Nerds Arrived They Called the Police! You Won't Believe What They Found Inside!

Rotten Tomatoes ran an article about the scariest horror movies of all time ( https://editorial.rottentomatoes.com/article/the-10-scariest-horror-movies-ever/ ). The article was based on the results of a poll. I don’t give a lot of credence to these sorts of polls for a variety of reasons. The general public may be less aware of the scariest films, as they are too extreme for most people. If you poll ten million people about which peppers are hot, a sizeable percentage will name jalapenos, but true aficionados of spice would never consider that pepper spicy at all. It’s the same sort of situation here. Then there is the problem of self-selection bias. People who really, really love a certain film will feel more reason to vote for it than people who are more interested in simply finding the truth of the matter. All of that aside, I decided to take a look at what their results cast as the ten scariest movies. It isn’t a bad list. It’s also not a great list. Let’s get into why

Time Travel for the Working Class

"She's gone, and the past is trivia I scribble on these fucking notes" -Leonard Shelby, in Memento Kurt Vonnegut's Slaughter-House Five opens with the words: "Listen, Billy Pilgrim has come unstuck in time". His world is disjointed, he slips from disconnected moment to disconnected moment. Leonard Shelby, the protagonist of memento (Guy Pearce), has a similar problem. He can make no new memories. Shelby knows that his wife was raped and murdered by someone named John G. He knows that he was injured in the attack, and that his wounds left him without a short term memory. And he knows that he his searching for the killer. For anything more than that he must trust the notes he has written himself. He has pockets filled with scraps of paper, covered with bits of information he will need. The really important stuff he has tattooed on his body to make notes you can't lose. He carries a polaroid so he can remember who people are, and what he needs to know ab

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